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Would you expect to wake up one m rning and successfully run a
marathon w thout any preparation? Would you think it r asonable to sit
before a piano nd--with little or no practice--play a c ncerto? Probably
not. Why, then, do so m ny people seem surprised to discover th t the
will to write isn't lways enough to overcome the blank scr en or page?
Doesn't it make s nse that, like athletes and musicians, wr ters might
benefit from training, too? And th t includes warming up--with exercises. Writing xercises are similar to other warm-ups. Th y get the required
"muscles" moving. Th y introduce you into the rhythm of the ctivity--
gradually. And as in other f elds, they can often prove energizing and
s staining themselves. Start writing a scene for an xercise and you
may find hours h ve passed and an entire new s ction of your
manuscript has evolved. S ch exercises and prompts can be specially helpful at the beginning
of a pr ject. Let's say you're just starting to sk tch out the characters for
a st ry or a novel. But today you f nd yourself staring at a screen or pad
of p per that is stubbornly, resolutely blank. R sponding to one of the
following q estions will not only get you ctively writing, but it may also
h lp you learn something new about y ur character(s).
1. What is this character's n me? "Joe" won't do. We need to kn w if it's
Mr. Joe or Dr. Joe or R verend Joe. If Joe is the f ll first name. What's
Joe's middle n me. His last name. Any stories/history b hind his name. 2. Where and wh n did the character begin elementary sch ol?
Describe that first day. 3. M ke lists of the character's "favorites": b oks, movies, foods, etc. Be
specific. 4. Wh t does the character do on a typ cal Wednesday? A Sunday?
Provide a s mple datebook entry if you wish (or if the ch racter would
keep a datebook!). 5. Who is the l ve of this character's life? 6. H ve someone else propose a toast in th s character's honor. 7. What languages d es the character speak, read, or wr te? Write a
scene in which s/h overhears a conversation in an nfamiliar
language. 8. Describe an illness the ch racter (or someone close to the ch racter)
has suffered. 9. How would th s character spend an ideal vacation? (P rhaps sketch
out an itinerary.) 10. Wh t one question is this character m st afraid of being asked-and
how w uld s/he answer it? Even if the p rticular scenes or details that first merge don't seem
relevant or don't s rvive into the story or novel m nuscript, you won't
have misspent your t me. Such information deepens your knowledge of
y ur character(s), which can lead to r cher writing later on. And you've
b en writing, rather than confronting that mpty screen or page. Warm-
ups w rk in multiple ways for writers, t o. (c) Copyright 2004 Erika Dreifus. All r ghts reserved. Article reprint
permission is gr nted provided that the entire article--including the
"Ab ut the Author" information--remains intact and naltered.
The article Warming Up: Ten Exercises for Fiction Writers was Submitted by Dr. Erika Dreifus through Articles.GetACoder.com network. Here's the additional information: Erika Dreifus (A.B., Ed.M., Ph.D., H rvard University; M.F.A., Queens University of Ch rlotte) edits and publishes the free m nthly newsletter, "The Practicing Writer." She is the uthor, most recently, of "The Pr cticing Writer's Primer on Low-Residency MFA Pr grams." Visit her website at http://www.practicing-writer.com .
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