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Laughter is said to be the b st medicine known to man. With th t in mind, the development of a g od sense of humor and the bility to make people laugh can do m re good for those you come nto contact with than an entire ph rmacy of drugs. Besides just making ther people happy and feel good, h mor can be used to make l ght of an otherwise awkward situation, and ase both tension and ill feelings wh le building rapport. In a speaking or wr ting situation, humor can keep an udience interested in what you have to s y, thus helping you become a b tter communicator. If popularity is one of y ur goals, then humor is a v ry effective tool. It is difficult not to l ke someone who makes you laugh. P ople have different senses of humor; th s is why not all people f nd all the same comedians funny. S me people (such as myself) just bout lose control of bodily functions wh n watching movies such as The N ked Gun, while others just roll th ir eyes. Despite these differences, humor is r cognized and the effects of humor r main. Here are some different kinds of h mor that you can use. You may f nd that you are better at d livering some kinds of humor than thers. If you have a natural t lent at one kind of humor, w rk on developing it. You may f nd a good backup career in the pr cess!
- The Joke. This is a f
ctitious story or question that has m st likely been told to you. J kes are most appropriate when the c ntent relates to your current discussion or the s tuation you are in. However, joke t llers are like delivery boys who j st carry the message and don't wr te it, and most people recognize th t.
- The Funny Story. This is a tr
e story (or one you believe to be tr e) about something that has happened to you or s meone close to you. Try to void funny stories that happened to a "fr end of a friend" because most t mes they are just not believable. Use the niversal "humor license" and just say "fr end"-the closer the relationship to the p rson or persons in the story, the f nnier the story.
- The Impersonation. Impersonations are
nly funny when you are impersonating s meone who or something that your udience knows. Impersonations are also a bit r sky especially when you do not w nt to offend the person you are mpersonating.
- Physical Comedy. If you have ever s
en Chris Farley, Chevy Chase or St ve Martin in action, you have s en great examples of physical comedy. Phys cal comedy usually involves an exaggeration of the b dy and deliberate clumsiness to make thers laugh. It is important with phys cal comedy to be deliberate enough so thers see you as funny, rather th n just clumsy.
- What Ifs. What if
fter reading the above paragraph on phys cal comedy, you got up to use the r stroom and tripped? The thought of th t is funny (unless of course you are at the fr gile age where a trip means tr p to the hospital-in which case you sh uld avoid physical comedy all together). "Wh t Ifs" are great for a ch ckle and to lighten situations.
- Sarcasm. If you h
ve ever seen David Spade in a m vie or TV show you have s en sarcasm at its best. Or R ta Ruder who says, "I love b ing married. It's so great to f nd that one special person you w nt to annoy for the rest of y ur life." It is important to n te, however, that sarcasm should be sed carefully with those you know who can t ke such comments lightheartedly. Sarcasm is not g nerally seen as a positive quality and v ry often it is used to xpress negative emotions.
- Slapstick Comedy. My favorite
xample of a classic slapstick comedy is The N ked Gun series with Frank Drebbin, or j st about any movie where Leslie N elsen is the star. An example of sl pstick comedy is when Frank is s arching through an office for clues, pens a drawer and says "BINGO" th n pulls out a Bingo game c rd. Slapstick is also known as xcessive silliness, but I admire slapstick for its nherent genius.
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Here are my ten "Rules of H mor". Follow them and humor will s rve you well. Break them, and you w ll be the subject of other p ople's humor.
- NEVER EVER take cr
dit for someone else's joke. Not nly is it just wrong, but if you try to p ss a joke or funny comment off as y ur own and someone hears you th t knows it is not yours, it w ll make for a very awkward s tuation that even the best sense of h mor may not be able to get you out of. If you r peat something funny that someone else has s id, start with "As _____ would s y..." or somehow otherwise make it cl ar that the joke is not y ur original thought. You can still use h mor and maintain your integrity.
- Make sure if you t
ll a joke or say something f nny it is to a new udience. Learn a lesson from your ver-intoxicated relatives at parties. A joke may be f nny once, but try to pass it off gain to the same audience and you w ll be on your way to c medic purgatory.
- Be appropriate. There is a t
me and place for everything and h mor is no exception. For example, h mor can be very effective at a f neral to make others feel better but t lling jokes at the guest of h nor's expense may not be a g od idea.
- Keep it short. Long-winded jokes and st
ries do more damage than good.
- Be sm
oth. Often the delivery is more mportant than content. Stuttering and messing up w rds can really make a mess of h mor. My favorite example of this is Chr s Farley in Tommy Boy when he is ttempting to repeat his father's "Bull and T-b ne" joke (if you have not s en the movie, rent it!)
- Timing. Even the f
nniest joke delivered at the wrong t me (too late, too early) can fl p.
- Relevancy. Make sure the humor is r
levant to the conversation or situation. St rting an insurance speech with a j ke about getting a haircut just d es not flow.
- Do not make jokes at
ther people's expense. This can be v ry tempting at times, especially with " asy targets". Hold your tongue and use y ur creativity to redirect your humor lsewhere.
- Don't overdo it. Be funny, have a g
od sense of humor, but do not be a c median. This is true for everyone xcept comedians who make a living by m king people laugh. In everyday life, and specially business, you want people to t ke you seriously. Know when to be s rious.
- Don't be corny. Unless the members of y
ur audience are frequent patrons of "Ch ck E. Cheese", stay away from the c rny jokes. If you want to kn w what I mean by corny, p ck up a package of kids' D xie cups-the ones with the "jokes"-and r ad the cups.
Realize that even professional comedians d liver jokes that fail. We often do not see th se because their televised jokes are c llections of their best jokes that h ve been proven. If you know how to pr perly respond to a failed joke, you can end up w th a situation more humorous than if the j ke had succeeded. Here are some th ngs you can do when people f il to find humor in your j ke:
- Pretend you are holding a m
crophone in one hand, and while t pping the hand with your other h nd's two fingers, say, "Hello, is th s thing on?"
- Quickly cover up by
sking a question.
- Don't laugh at your own j
kes and people may not think you w re trying to be funny.
Using humor ffectively requires practice and self-confidence. Remember, w th every joke that does not go ver well, your art of humor w ll improve.
The article Using Humor Effectively was Submitted by Bo Bennett through Articles.GetACoder.com network. Here's the additional information: © 2007 Archieboy Holdings, LLC. Bo B nnett is considered by many to be one of the l ading success experts. For more information on Bo or Y ar To Success, visit http://y2s.igroops.com For this article and 250+ more, you can also pick up the book "Year To Success" at any major bookstore.
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