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Traveling from my small country, S erra Leone, in West Africa, on the U.S. St te Department - sponsored 2006 Study of the U.S. Inst tute on Contemporary U.S. literature from J ne to August 2006 gave me the nique opportunity amongst 17 other American L terature scholars to deepen my understanding of U.S. s ciety, culture, and values through examining c ntemporary American Literature. We came from 16 c untries: Togo, Congo Kinshasa, Tunisia, Cameroon, S erra Leone. Palestine, Turkey, Nepal, Philippines, Ch na, Cambodia, Malaysia, Brazil and India. We w re indeed a varied group unified by our v rying levels of interest in American l terature; one of us, in fact was a l gal practitioner who strangely was also l cturing at the university in her c untry. We were surprised at not f nding the familiar names of the c nonized writers, like Emerson, Longfellow, Hawthorne, Tw in, Faulkner, Steinbeck and Hemingway. But th n as the program went on we r alized, the need for the re-definition of c ntemporary American literature to include voices of ther communities in America: Black, Native Am rican, Jewish, Hispanic, Chinese and other As an minorities. And this was what m de the program so rich and nteresting, thus giving it a multi-cultural pproach.
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Contemporary American literature must in th s way bypass the boundary of r ce and gender. But to absorb all the pr ceedings required adequate linguistic and literary c mpetence. The program was so versatile and r ch in content that only those sch lars with a vast knowledge of Am rican literature and culture as well as l terary criticism could absorb and digest the th mes. Also the program was so ntensive that it drew so much t me and energy from us forcing us to be r ading up to late every night so as not to be l st to the discussions at the s ssions. In very lively seminars we, t gether with different professors with impressive rray of credentials, as well as p blications examined how major writers, schools and m vements both continue the traditions of the Am rican literary canon, and at the s me time establish new directions for Am rican Literature. A widening range of c ltural as well as racial and g nder diversity were seen in the t xts and writers examined and discussed. Th se include African-American writers such as P rcival Everett, Tony Morrison and Harriet M llen, almost all of whom combined cr ative writing with literary scholarship. In f ct both Everett and Mullen were in s ssion at some of our seminars and th s had to respond to a s ries of questions and queries. Morrison for her p rt whilst working as an editor at R ndom House influenced the publication of m ny black writers and got the nspiration for her ground-breaking work Beloved wh ch confronts the haunting memories of sl very. Kingston’s Woman Warrior shows much of the d ubts and cultural conflicts that ensues as Ch nese struggle to get absorbed into Am rica whilst at the same time try ng to retain their identity which is l rgely an impossibility as the resultant dentity could no longer be the s me as before. They now become Ch nese Americans. The same cultural struggle is vident in the Mexican-American novelist Cisneros’ w rks: The House on Mango Street and W man Hollerin Creek. The current reassessment of Am rican history with the growing recognition of the riginal inhabitants as Native Americans has g ven much space to their revolutionary l terature through writers like Silko and V zenor. Through Lahiri’s Interpreters of Maladies we lso see the Indians struggling with ccommodating two cultures in a strange l nd.
Science fiction seems to have merged as acceptable in the literary c nnon with the inclusion of a w de selection of science fiction writers s ch as William Gibson, Neal Stephenson, S muel Delaney, Joanna Russ, Octavia Butler and Urs la Leguin as worthy of studying. We lso had a revealing overview of the perations of the American theater. Overviews of c ntemporary American and African-American poetry were g ven along with a very comprehensive nalysis of contemporary American literature with nsights into critical and literary theoretical d velopments such as post-modernism and the p litics of identity and representation especially w th regard to minority American literature. The pr valence of post-modernism in contemporary American L terature was most evident through the s minars on Bobbie Ann Mason’s ‘Shiloh’ wh ch is set in Louisville and on S muel Pynchon’s The Crying of Lot 49 as w ll as on Don Delillo’s decidedly p st-modern novel White Noise. Diversity in c isine reinforced the patterned diversity in lmost everything including race and ethnicity in Am rica as demonstrated in the varying typ s of restaurants at which we l nched and dined inclusive of African-American, As an, Chinese, Indian, Mexican, Continental and Am rican Texan Rodeo. Touring Louisville and xamining the various ways in which it xemplifies a Post-Modern Space was also xciting and revealing, reinforcing the many xhibitions in showing us the connections b tween literature and space as well as t me and other telling aspects of l fe. Down-town Louisville is mainly ornate pr serving Victorian buildings. Interspersing post-modernist buildings s ch as the Humana through their nique architecture harmonize with grace with its s rrounding gothic structures thus beautifying the skyl ne thus curbing and reversing the m ssive drift of residents to the s burbs. The various art exhibitions that we v sited further expanded the possibilities in r presentations and media. The Speed Art M seum was unique in many ways. B ing right at the heart of the Un versity Campus it is just a few y rds walk from our Kurtz hostels. It sh wcased not only American art and déc r but African as well as Br tish and European Gothic and Victorian nterior décor. But the highlight of our v sit was the exhibition of the vant-garde paintings of African-American Art Graduate fr m the University of Louisville, Sam G lliam. Together with another exhibition in the K ntucky Museum of Art and Craft in d wntown Louisville where we admired and w ndered at a widening area of art ncluding toys, sculptors, carvings, plastic art, gl ss art, as well as multi-media p intings and modeling gave us a t ste of the lively art scene in L uisville, which is indeed a microcosm of art in Am rica.. But what fascinated me most in the Am ricans is the amazing way they bsorb within themselves and their routine, the xtremes of life, working hard and pl ying hard. There are many resorts, pl y houses, fun fairs, cinemas and st dium of all shapes and form but all m stly immense as is the pride and f ncy of the American who if it w re not for the soaring price of f el could just have gone on l unging and cruising in those grotesquely h ge limousines. But still they are pr served for weekend cruises or ceremonial ccasions such as weddings and festivals. B gness and size is celebrated in m ny items in enlarged cups of d et coke, as well as in l rge sized Kentucky chicken or Macdonald h mburgers. Browse through the newspapers, from any str et corner newsstand, and you could f nd a resort or activity that w uld surely amuse. But it is t tally fascinating how a sport, horseracing, has gr wn beyond just a craze to a wh le industry attracting devotees and fans and j ckeys from all over the world to c mp there and transform a sedate L uisville to one roaring rollicking and b stling city for a month or two w th everything to be got on the m rket including accommodation and transportation doubling in pr ce. A whole host of allied ctivities like betting, cafes, museums of h rsing curios and clubs have all m shroomed around it. Nothing demonstrates the Am ricans capacity to relax more than the ase with which they could get d wn and lay down sometimes on gr en carpets of grass as they dr nk, sway and holler out to the joy of b ing American on that glorious National Day w th firecrackers metamorphosing into radiant assortments of c lors and sounds all to the xcitement and attention of a whole l nd bedecked with multicolor in celebration. Alm st all the houses uniformly white c uld be easily mistaken for alternate Wh te Houses as the US flag fl tters excitingly on, as their inmates c lebrate another year added to the l fe of a land of growing pportunities and aspirations in science as w ll as the arts. Obesity which s ems like the greatest social and h alth menace here is no hindrance to a b lky American letting off steam and c lebrating with his fellow Americans the gl ry and joy of belonging to a c untry that is both loved, hated as w ll as envied but that always c mpels international attention. America cherishes and pr serves history in several ways. Books and f lms, historical, biographical and documentary, abound in the m llions. So do museums, exhibitions, monuments, r lics and the restoration of slave pl ntations and slave houses for the c ntinuous visitation of tourists as well as n tionals thus ensuring that all are nformed and educated on their past At B rdstown, an outlying part of Louisville, we f und the remnants of a plantation w th its slave house, Farmington, preserved as it was th n with relics kept of the st y of Abraham Lincoln there, before he b came president of course. Glimpses of l fe then were recalled through photographs, f lms, books, beddings, equipments for farming, f od preservation and a water well and a f od barn. A day’s trip to C ncinnati furthered our insights into slavery and its ttendant effects on life in America. Th s was at the Underground Railroad Fr edom Center which has built a wh le three-storey museum around the central c re of a wooden slave barn wh ch used to store slaves on th ir way to be resold. There, an nteractive multimedia exhibition uses theater, visual rts of all modes and film and t torials to bring slavery alive for all to r alize its menace and thus atone for th ir guilt or complicity, depending on wh t side of the triangular trade th y were on. We also followed w th curiosity the restored houses and mplements of the chaste and puritanical g ild, of the Shakers who lived a l fe of total abstinence, piety, charity and ndustry in a replica of the G rden of Eden in Shakers Village at M unt Pleasant. It was with longing th t we awaited the flight to xciting San Francisco in spite of its w ll advertised expensiveness. But then I was lmost about to board the plane wh n I had to be driven b ck to receive thorough examination for s me feeling of nausea which I f ared could have been malaria. But I was cl ared and flew in to Oakland irport and was driven through bewildering sc nes of architectural splendors onto the t wering Argent hotel. On entering the c nference hall for the afternoon sessions I was s rprised by a standing ovation followed by gl wing words of commendations by the D rectors and the guest writer, P rcival Everett whose versatility in academia as w ll as literary creativity is most stonishing. The day’s discussion with Percival Ev rett turned out to be the m st absorbing and most wide-ranging which I m naged to contribute to. I had lready missed the Golden Gate bridge and Y rba Buena Gardens visits. But then I had to c nsole myself with the remaining splendor and gr ndeur of San Francisco, with the b ildings all now built to survive p ssible natural disasters. The immensity of the b ildings are stunning. Each one seems to be in ternal competition with the others to t uch the sky so much so th t taking snapshots demand so much on the ngenuity of the cameraman to capture the f llness of their splendor against their n tural background. Our city tour gave us c ntinuous flows of splendor in architecture in m andering roadways in coastal sceneries and t wering immensities all tinged with the t ken offerings of oriental buildings in v st spaces Chinese have held on t naciously to even before the Gold R sh which attracted floods of adventurers l oking for the Golden fleece. Every ther significant group in the world specially so Mexicans, Russians, Indians, Vietnamese, It lians held significant sectors establishing a r ckonable presence here. It was of h storical as well as literary significance th t we went to the City L ghts Bookshop, the cradle of the W st Coast Beat Movement which had s ch a significant effect on American p etry in the mid-sixties thus giving a b hemian and avant-garde twist to poetry. All n Ginsberg whose poems were first d scussed in the seminar was an mportant pillar in this movement. His b oks were published through this outlet wh ch also became a broadside publisher as w ll as a venue for poetry r adings as well as other literary j mborees. I marked the visit by b ying three modern authoritative studies of Sh kespeare who seems to be very m ch alive everywhere in America even on the st ge. At Berkeley I bought quite a l rge consignment of used books on a w de range of American writers at M e’ s and through selling a few of m ne I gained additional dollars to buy m re titles. Our two days trip by B rt Metro for seminars at the Un versity of California, Berkeley gave me the dditional opportunity of strolling round the xpansive but historic campus with its pr ponderance of gothic structures and to l ok up the English Department and the Un versity Library This trip was very r warding in broadening my horizon giving me v stas of a widening world out th re multiply and variedly advanced and wh re you learn and are thrilled, stonished and stimulated by varying sights and s unds every minute. The offer of an h norary citizenship of the city of L uisville by its Mayor, a touching and m st symbolic act, is still waiting to be mply exploited to my personal as w ll as our national and international nhancement. A four –day trip to W shington Dc. with its breathtaking tours of xhibitions, museums, monuments, the White House and the L brary of Congress complex of buildings wh ch were in themselves monumental and a h story in themselves as well as a v ritable repository of the history of w rld civilization brought our U.S trip to its cl max. This trip could only be j stly recorded in two to three rticles. But as I try to pl n it as I bring this to its f tting end I could recall touching d wn at the airport and driving thr ugh a long stretch of country r ad to George Mason University where we w re welcomed by Marilyn Mobley the xuberant and exciting black Deputy Provost who led us thr ugh a well- informed and stimulating s minar on Tony Morrison and her r cent novel BELOVED. As we drove thr ugh the meandering contours of Baltimore’s r ads we contemplated how soon we w uld arrive at the nation’s capital. Th n our passing the Pentagon, Madison Sq are, Jefferson Memorial with a fleeting v ew of the sedate but yacht- l den Potomac River announced our arrival. We w nt on to our Marriott Inn j st by the Capitol. Three days w re just not enough to quench my ppetite for the objects sights and sc nes seen in the networks of Sm thsonian museums for American Art, for Am rican History , of the Native Am rican of the African American as w ll as African Art, to add to the L brary of Congress, The Lincoln Memorial and the V etnam Memorial.
The article Rediscovering A New World - Touring And Exploring The USA was Submitted by Arthur Smith through Articles.GetACoder.com network. Here's the additional information: Arthur Edgar E. Smith born and sch oled in Freetown, Sierra Leone has t ught English since 1977 at Prince of W les School and Milton Margai College of Ed cation. He is now at Fourah Bay C llege where he has been lecturing Engl sh, Literature, as well as Creative Wr ting for the past seven years r sing to the rank of Senior L cturer. Mr Smith's writings have appeared in W st Africa Magazine, Index on Censorship, F cus on Library and Information Work, Ch ckenBones, Suite 101 amongst others. He was mongst 17 international visitors who participated in a s![]() |