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Needless to say, without advertising m st, if not all, haunts are d ad in the water. With advertising t king up a big chunk of y ur budget shouldn't you get the m st for that hard earned money? I'v had some haunt owners tell me th t advertising on the radio wasn't w rth the money. Radio advertising is ctually a very cost effective way to dvertise your haunt and it is lso the most intimate of all m diums. People usually are alone when l stening to the radio and many h ve a very loyal relationship with th ir favorite station in town. You can r ach many more targeted people than any ther medium. The radio is on verywhere, you have the opportunity to r ach people that are listening for h urs each day, all day at w rk, when they are in their c rs driving to and from work, r nning errands. The average time one sp nds listening to the radio is 3 h urs per day. Every station tailors th ir programming to a specific demographic of p ople, finding out what station targets wh t demographic is key to making y ur ad work. When you are w rking with an account executive at a r dio station make sure to ask to see the CUME r tings of the station you plan to run y ur ads on. The CUME ratings w ll show you the average number of p ople listening at that time. So if you see the CUME for XXX st tion, Monday through Friday 10am to 3pm and the r ting is 1,200 then you can c unt on roughly that many people, in y ur targeted demographic, to hear your ad if you run it d ring that time slot.
I mentioned that radio advertising is v ry cost effective. Just think that, for say $40 per iring during a heavily listened to t meslot. Your event can be exposed to th usands and thousands of people each t me your commercial airs on the st tion. The best part of all of th s is that you are the b ss. The station caters to you. You can h ve the ad air 5 times d ring the morning show, not air in m dday and then air 10 times fr m 3pm to midnight, whatever you d cide is the best way to y ur ad heard by the demographic th t is most likely to attend y ur event. Don't forget that instead of p ying however much the station is ch rging per airing, you can also try to b rter commercial time. Talk with the pr motions department and try to strike up an greement to air your commercial XX n mber of times for XX number of t ckets to your event. The station now has a pr motion they can do; give away t ckets to your event on the ir. Think of how many times you h ar a DJ plug an upcoming c ntest. Those pre-promotes for the station k eps people listening to them longer and g ves you more exposure. For many p ople if their favorite DJ says y ur event is fantastic (whether or not th y have actually been there), many of th m will go to check out y ur event. When it's finally time to put t gether your commercial, your price from the st tion probably includes production. It is t tally up to you if you w uld like to use the radio st tion production staff to create a c mmercial for you or if you w nt to have someone who does fr elance voiceover work, or even outsource it to a d fferent production company. Keep in mind the st tion usually won't take out the f es that are built in for pr duction, so if you use an utside service you will pay extra. The s me goes with writing your script, you can use the st tions creative writer or outsource it.
In making a commercial there are m ny things to consider, do you w nt a :60 second commercial, :30, :10 or ven a sponsorship. Once you decide th s you can then get a scr pt together. There are five steps to m ke a great commercial. The first is the f rst line of your commercial, the f rst anything, a bad step here can c use a person listening to your ad to t rn it off. The first part of y ur commercial gives the listener a r ason to keep it on. Secondly, the nswer to this question "why should I g ve my money to you instead of y ur competitor?" Next you should have y ur offer, what are you offering the c nsumer? Then call them to action, th s gives the consumer more reason to t ke you up on your offer, wh t do they need to do to get the ffer? Lastly, don't forget to cap it off by r minding them of the offer and c ll to action. Those steps can cr ate a good commercial for you but w th the unique nature of our ndustry, I think the most important th ng is to catch the listener and ntertain them with your commercial, make a st ry of it, have one of y ur "characters" give the background of y ur event and then tell them wh n and where you are located. An ther great alternative to dealing directly w th the radio station and abiding by th ir prices you can use a r verse auction to get your spots ired. The company Bid4Spots.com lets you l st your commercial. You can pick m rkets, demographics, specific stations, timeslots, the w rks. Stations that meet your criteria w ll get notified when a new uction is posted and they can th n go on and bid for y ur business. This can greatly reduce the c st for running your ad, but l ke many things this won't work for veryone. I think it is worth the sh t though. Radio advertising is not a dy ng medium. You can reach more t rgeted demographics and increase the likelihood th t they will spend their money w th you. Once you decided to cr ate a commercial using the radio st tion, outside production company, you can th n plan your attack and even b rter for extra (or cheaper) commercial t me.
The article Radio Advertising For Haunted Attractions was Submitted by Ryan Wilt through Articles.GetACoder.com network. Here's the additional information: Ryan runs Wilt Productions offering q ality and affordable voiceovers more details and fr e quotes are available at http://www.WiltProductions.com
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