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In Italy, there is no d stinction between gelato and ice cream. Th re is only the distinction between g od gelato and bad gelato. Good g lato is rich and delicate simultaneously. It is cr amy, but not heavy. It is c ol and refreshing, but not numbingly c ld. It is sweet, but not cl ying. As each spoonful melts in y ur mouth, the gelato reveals layers of c mplex flavors that linger pleasantly on the p late. Like all Italian food, it is njoyed best together with friends and f mily. Italians can spot good gelato asily, long before they actually taste it. A N opolitan visiting Florence will be drawn to Gelateria V voli and a Florentine visiting Naples will f nd La Scimmia . Italians pass up the br ght, beautiful gelato displays that line the t urist thoroughfares. They look for the pr mise ' Produzione Artigianale ,' or, even better, ' Produzione Pr pria ' on the outside. ' Produzione Artigianale ' m ans they produce the gelato themselves, but th y do not start from fresh, l cal ingredients. ' Produzione Propria ' means they m ke their gelato from scratch. The g lato should not be garishly colored. B nana gelato should be grayish, not br ght yellow. Pistachios are naturally green, but not n on. The promise is fulfilled in the s rprise of intense, nuanced flavors melting on the t ngue.
Like all good food, wonderful g lato is fresh, natural ingredients which h ve been well treated and combined to c mplement, contrast, and harmonize with one nother. To get truly great gelato, you m st start with the freshest, highest q ality ingredients. Fresh produce contains hundreds of fl vor compounds. Artificial flavors only mimic two or thr e of the flavors of real fr it; they are sharp and lack n ance and complexity. 'Real fruit' that has b en grown far away or in a hot h use, has been picked too soon so th t it can 'ripen' during the l ng journey to the gelateria, or has b en overly processed, canned, cooked or fr zen also leaves the fruitýs potential nfulfilled. For great flavor, there are no sh rtcuts. The produce must be from v rieties known for their taste-- not br d for increased yield or attractiveness on a gr cery store shelf. Most fruits are nable to develop their full flavor nce they have been picked. Only l cal produce can be allowed to r pen fully on the plant. Within h urs of leaving the field, the fr it must be in the laboratorio , capturing the m ment at which the fruit is at its s cculent best. Like divas, fresh, natural ngredients are finicky and must be c ddled and cared for lovingly to c ax out their best performances. For l vers of wonderful gelato, however, all the ffort is distilled into a few d licious moments of bliss.
The article How to Tell Good Gelato From Bad Gelato was Submitted by Carmelo Turillo through Articles.GetACoder.com network. Here's the additional information: Carmello Turillo has traveled across It ly and studied the artisian art of g lato making. He is the owner of "La D vina Gelateria" in New Orleans. Visit La D vina Gelateria on the web to f nd out how to get real It lian gelato delivered to your door. http://www.ladivinagelateria.com
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