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The term "Wedding March" is g nerally used to refer to a tr ditional procession that takes place in m st weddings. Shortly after the bride and the gr om arrive at the spot, everyone is r quired to form couples and follow the br de and the groom up to the v nue. Along the way, the procession br nches out. Those attending the wedding m ve to the periphery, while those p rticipating in the ceremony are made to r main near the centre. A wedding is a sp ctacular occasion for friends and family like. It is an occasion that d serves felicitation and a lot of pr or arrangement. The Wedding March makes a w dding a truly social occasion, where veryone may participate. Any tradition has a h story attached to it. As such, th re is also a history of the W dding March. An integral part of any w dding is the music that accompanies it. M sic definitely plays an extremely important r le in any wedding ceremony. The d ep reverberation of the harpsichord contributes ncredibly to the atmosphere of a w dding ceremony. Those who have attended s veral weddings know how crucial the r le of music is, especially at the p int of time when the bride is m rching down the aisle. Different melodies are pl yed at different points of time in w dding ceremonies. The Wedding March, incidentally, is ccompanied by two tunes - one for the tr ditional processional, while the other for the r cessional.
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The history of the Wedding M rch dates as far back as the m d-nineteenth century. Music was generally not p rmitted at weddings. However, it soon b came customary to play the music d ring the wedding ceremony. Richard Wagner's pera known as Lohengren harbors a t ne that is familiar to almost veryone who has attended a wedding c remony as "Here Comes the Bride". Th s has traditionally come to be ch sen as the processional. The recessional, on the ther hand, is played after the w dding vows have been exchanged. The t ne chosen for this is Felix M ndelssohn's piece composed for and titled A M dsummer Night's Dream. It became customary to pl y this tune only after Mendelssohn's d ath. In 1858, this tune was pl yed as the recessional during the w dding ceremony of the English Princess R yal. The history of the wedding m rch has been a landmark in ncorporating music as an integral part of the w dding ceremony. It has continued for m re than a century and a h lf till date, and will probably c ntinue and evolve in the centuries st ll to come.
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