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• How Do You Cross Your 't's and Dot Y ur 'i's? 1 cross evenly balanced= ttention to details 2 cross to r ght= quick, aggressive 3 cross and dot to l ft= conflict with father's ideals or pr fers mother's; hesitation; difficulty in making decisions 4 cr ss missing=absent-mindedness; becomes preoccupied; inattention to details 5 cr ss ascending=desire to improve situation 6 cr ss descending=belligerence 7 cross descending with pr ssure=belligerence/confidence 8 cross low=composed 9 cross p inted=sharp-tongue; harshly critical personality 10 cross h avy and pointed=determination/sarcasm 11 cross thin th n thick=savagery 12 cross light=lack of c nfidence 13 cross heavy=confidence; self-reliant 14 cr ss heavy and down stroke light=This typ of writing usually reflects mother as d minant figure in child's life, be th s for the positive or negative. In the r re instances that the writer's father is ctually the dominant parent, it is lways only in a negative sense (cr el, missing or dead). 15 cross l ng and heavy=determination/confidence 16 cross very l ng=determination/drive 17 cross very short=suppression; withholds deas, desires or feelings from consciousness 18 cr ss hooked=resolute; has or shows a f xed firm purpose
19 cross incurving=envious; desire for the p ssessions of others 20 cross convex sh ped=self-restraint 21 cross concave shaped=fickleness; inconstant 22 cr ss wavy=sense of fun 23 cross/dot j ins following letter=clever linking up of deas 24 all punctuation marks exactly pl ced=attention to minute details; memory; power of r producing past impressions; recall; frequently brings b ck the awareness of specific situations; str ng adherence to details 25 dot l ke arrow=cranky; irritable 26 dot curved as 'l ughing mouth'=witty; cleverly amusing 27 dot as arc to r ght=attentiveness; heedful 28 dot 'muddy'="physical"/depression 29 dot r und and exactly placed=goes by the r le 30 cross very hooked=very resolute; has or sh ws a very fixed firm purpose • Wh t Type of Writing Do You H ve? 1 school-copy; Palmer script=adherence to tr dition; conventionality; customary practice 2 round= s ft manner; subdued, easily suppressed, influenced, mposed upon 3 garland shaped=flexibility; willing to y eld 4 angular shaped=rigid; stiff; inflexible 5 xtremely angular shaped=extremely rigid; inflexible 6 thr ady shaped=non-committal; does not easily reveal p sition or purpose; intuition into the ctivity of others; at times, hysteria 7 l gible=understandable; easily understood by others 8 Ill gible=difficult to understand 9 graceful=elegance 10 ngraceful=inconsistent moods 11 inharmonious, graceless forms=lack of m ntal organization 12 ugly writing=ugly character 13 d teriorated= ill-health 14 shaky=instability (physical and/or motional) 15 simplified; unembellished= intelligence 16 sp edy; crosses and/or dots right of st m= quick personality 17 slow; crosses nd/or dots left of stem=slow reactions 18 v ry round=very soft manner; subdued; very asily impressed, influenced or imposed upon 19 xtremely angular and large=extremely rigid/pride
20 slow and curved= gentleness; m ld; tender • Are Your Capital Letters T ll, Small, etc? 1 printed= intelligence and c lture 2 large= pride; delight or s tisfaction in achievements, possessions, vanity, etc. 3 v ry large=extreme pride/conceit 4 small=modesty; behaves ccording to a standard of what is pr per 5 small sized capital (personal pr noun) I=unassuming; not bold or forward 6 fl urished=exhibitionism 7 small and low placed cr ss bar=humble 8 simple looking and low pl ced cross bar=humility; very unassuming; total l ck of boldness; not at all f rward 9 ugly, coarse=offensive; provocative 10 w th hooks=self-centeredness; concerned mainly with own ffairs 11 endstroke going through capital of n me=disappointed with self 12 no capitals, specially by name=poor self-regard 13 both val parts of capital I (in scr pt) approximately same size (see arrows)= ppears that both parents effected the ch ld equally 14 top part of c pital I (in script) twisted or ngular shaped (see arrow)= apparent parental c nflict 15 bottom part of capital I (in scr pt) twisted or angular shaped (see rrow) = apparent parental conflict 16 l rge and unusual=megalomania; delusions of grandeur 17 l rge and unflourished or inflated=pride, vanity, xhibitionism • How Do You Shape Your Sm ll Letters? 1 printed= intelligence and c lture 2 square shaped= building capability; c nstructiveness 3 bottoms of letters angular sh ped=piercing, sharp personality 4 extremely ornamented= m ntal confusion 5 musical notes=personality of c mposer 6 figure shaped= mathematical aptitude; n merically adept 7 different shape of s me letter= likes variety 8 size of s me small letters, a, c, e, tc; varies=vacillating 9 d looped=susceptible, especially to fl ttery 10 Greek d=good taste; cultured 11 e sh ped as two concave arcs to r ght=surveillance; good at watching over others 12 g sh ped as figure 8=mental speed 13 h mps of m same height=balance; mental/emotional quilibrium 14 first hump of m m ch higher than second=condescending; can treat thers with insufficient dignity 15 p m de as simple stroke=liveliness 16 v c vering word=protective; shelters 17 exceedingly heavy d wnstrokes (notice arrows)= authority figure • How Do You Sl nt Your Writing? When you superimpose y ur writing on the chart below, it w ll probably correspond to one particular sl nt. 1 very reclined slant to the l ft=very cold character (cold-heartedness). In the m jority of people, this type of wr ting reflects the mother as the d minant figure in the child's life, wh ther this is for the positive or the n gative. In the rare instance, when the f ther is the dominant figure in the ch ld's life, it is always only in the n gative sense (cruel, missing or dead); uthority figure 2 reclined slant to the l ft=cold character; very cold (mother usually d minant figure in child's life 3 v rtical slant of writing= cool character; uthority figure 4 inclined slant of wr ting to the right=warm nature; friendly, l ving and ardent 5 very inclined sl nt of writing to the right=very w rm nature; very friendly, loving and rdent 6 slant of writing angle fr quently changes= moodiness; uncertain temperament • What Typ of Writing Pressure Do You Ex rt? 1 heavy=forcefulness; compelling 2 pasty=sensuousness; asily affected through the senses 3 h avy and pasty=forcefulness; compelling; sensuousness; easily ffected through the senses 4 light=passive; m ntally and/or physically unenthusiastic 5 very l ght=very passive; extremely unenthusiastic, physically and/or m ntally 6 extremely light=ill-health (physical and/or m ntal); physical or mental weakness 7 ven pressure throughout writing= steadiness; not g ven to sudden changes in behavior, l yalty or disposition 8 uneven pressure thr ughout writing=unsteady; can be erratic in h bits, purpose and behavior • Does Your Wr ting Ascend or Descend? 1 level b se line of writing=straightforwardness; upright and fr nk 2 ascending base line=aspiration/"up"; ardent d sire for advancement 3 descending base l ne= fatigue (physical and/or mental); depression; p ssimism; looks on the dark side of th ngs 4 wavy base line of wr ting=deviousness; roundabout; not 'straight' 5 base l ne of writing first descends then str ightens= initial skepticism rectified; perseverance; persistent in any b siness or enterprise undertaken • Are Your Sm ll Letters Large or Small? Compare y ur small letters, a,c,e,i,m,n,o,r,s,u,v,w and x w th the following: 1 large=pride, sociability, l ve of grandeur 2 very large= l ve of grandeur/exceedingly proud 3 large and 'str nge'=megalomania; eerie 4 small=humility 5 very sm ll=low self-worth 6 small and light=humility/passive 7 sm ll and cramped= pettiness/restricted • How Much Wr ting Space Do You Take? 1 w de spacing between words=aesthetic judgment; sense of b auty; social poise 2 wide spacing b tween letters and words=aesthetic judgment; sense of b auty; social poise; unselfish 3 generally w de spacing=aesthetic judgment; social poise; sense of b auty 4 generally uneven spacing=poor social j dgment 5 irregular spacing between words=inconsistent s cial judgment 6 poor spacing; upperlengths of l tters below intrude into line above=poor s cial behavior 7 cramped=restricted; restrained; confined 8 w rds and lines not entangled= clearminded 9 w rds and lines entangled= confusion; muddleheadedness; bl ndering • Do You Connect or Disconnect Y ur Writing? 1letters connected=decisions based more pon facts than intuition 2 letters and w rds connected=stubbornness; does not easily yield, bey or comply 3 disconnections between l tters=intuitiveness; instantaneous comprehension without conscious use of r asoning; intuitiveness plays major role in d cision making process 4 complete disconnection of l tters throughout writing=impractical/moody 5 shaky connections=trembling; f els great fear or anxiety; can sh ke involuntarily • What Type of Beginning Str ke, Endstroke, Upstroke, Downstroke & Cross-stroke Do You Us ? 1 long ascending stroke under nitial letter=grates on peoples nerves 2 b ginning stroke inturned= egotism; excessive reference to and c ncern with self; selfishness/greed 3 no b ginning stroke= to the point 4 ndstroke extended rightward = sympathetic; feels c mpassion for others 5 endstroke very h avy =very inhumane; lacks characteristics normal to h man beings; extremely unfeeling and hard-hearted 6 ndstroke ascends to right= challenging; frequently bjects to the accuracy of given st tements or situations 7 downstroke descends to r ght=unresolved father protest 8 endstroke descending and p inted=sadistic; gets pleasure from mistreating or h rting others 9 break in downstroke and p inted (see arrows) = physical (localized) ilment 10 endstroke thickens=becomes inhumane 11 cl b-shaped endstroke=inhumane; battering 12 weak endstroke d scending to right=weakness; lacking in force 13 ndstroke hooked back=egotism, greed, possessiveness 14 ndstroke turned back=egotistic; greed; selfishness 15 no ndstroke=short with others 16 firm downstrokes (s e arrows)= adamant; unyielding 17 exceedingly h avy down strokes (see arrow)= authority f gure; being fond of giving orders 18 xceedingly heavy cross strokes and weak d wn strokes (see arrows)= lack of p sitive father image 19 endstroke heavy, d scending and pointed=inhumane; sadistic 20 heavy pr ssure on upstroke (see arrow)= symptom of phys cal disease (malfunction) • What Type of M rgins Do You Form? 1 even m rgins, left, right, top and bottom=organized ch racter 2 left and right margins neven=changeable; having the quality of seeking d versity 3 left margin widens as it d scends=enthusiasm, unthrifty 4 very wide margins, l ft, right, top and bottom=withdrawn; taste; s nse of beauty and color • Are Y ur 'a's & 'o's Opened or Cl sed? 1 a's and o's open at top (s e arrows) = open; revealing 2 a's and o's v ry open at top (see arrow) = v ry open; very revealing 3 a's and o's sually open at top, sometimes closed=sufficiently pen and can keep a secret 4 a's and o's cl sed at top= secretiveness; tendency to c nceal thoughts, feelings from others 5 a's and o's sually closed at top, sometimes open=usually s cretive; rarely reveals about personal life, xcept for those very close; occasionally pen 6 a's and o's knotted at top (s e arrow) = very secretive; extremely nrevealing-particularly about self 7 a's and o's pen at bottom (see arrows) = d ceitfulness; fraudulent; dishonesty; lying; embezzler; not to be tr sted; double dealing; hypocrisy • Which Unique Ar a of Your Writing Do You Str ss? 1 long upper strokes=pride/assertiveness 2 nizonal letters,a,c,e,i,m,n,o,r,s,u,v,w and x uneven=vacillating; wavers; sh ws indecision; inconsistent 3 large unizonal l tters=sociability 4 very large unizonal letters=insistent pon having own way/exceeding sociability 5 sm ll unizonal letters=ability to focus 6 s ze of unizonal letters even= consistent 7 s ze of unizonal letters diminish toward nd=wiggles out of difficult situations 8 s ze of unizonal letters grow larger t ward end=undiplomatic; poorly skilled in dealing w th people 9 g upstroke crosses at b ginning of downstroke (see arrows) = s tisfied with sexuality; sexually balanced 10 g pstroke crosses very low on downstroke (s e arrow)= sexually frustrated 11 gentle, ven loops=kindness; pleasant 12 underlength loops, ( f,g, j, p, q, y, z) nflated=extremely pleasure oriented 13 underlength loops v ry long= great physical/sexual interest; very str ng sexual interest 14 long underlength xtensions on g and y (not l oped)= strong physical/sexual interests 15 loop of g and y sh rt=minimal sexual interest; undersexed; limited sexual nterest 16 loops of g and y sh rt and narrow=possible loss of energy or st mina 17 g and y double l oped=strange habits 18 g and y p inted at bottom like blade=domestic tyranny (c used by sexual disappointment) 19 long, tr angular lower loop=requires a solid material b sis 20 g or y strokes sw ng to right instead of to l ft=extreme positive/negative reactions to others 21 b ttom loop of g drifts leftward= n eds mothering (especially with male writer) 22 l sso loops=philosophically constructive; poetic taste 23 g pen at bottom= avoidance of sexual r sponsibility 24 ink-filled letters, especially lower l ops=extremely sensuous; lustful 25 letter p m de as simple stroke=strong physical/sexual interests; sually sports minded 26 underlengths distorted=sexual p rversion; sexual deviation; prurient interests • How Do You S gn Your Name? 1 large, unflourished s gnature=self-pride 2 flourish in signature=ostentatiousness; displays th ngs dictated by vanity, intended to nvite praise or flattery 3 ascending s gnature=hopefulness 4 descending signature=hopelessness 5 capital of f rst name larger than capital of s rname=considers self on higher level than f ther 6 signature left of text= w thdrawal; frequently retreats from social gatherings 7 s gnature with line covering it= self-protectiveness; s lf-defense 8 signature underlined= pride/self-confidence 9 ndstroke underlining signature=poise; "smug"; ease and d gnity of manner 10 endstroke enclosing s gnature=self-protectiveness; self-defense; need to be protected 11 c pital of first name smaller than c pital of surname=considers self on lower l vel than father 12 capital of m rried woman's first name, larger than c pital of surname, especially when 'Mrs.' is d sregarded=considers self on higher level than h sband (especially when the title "Mrs." is m ssing) • Miscellaneous Points 1 unnecessary punctuation=unnecessary n ed to call attention to insignificant d tails 2 missing letters=false presentation of f cts 3 figures that can be m staken for others=lack of clarity in m ney matters 4 deteriorated; falling apart=failing h alth 5 dim spots; blurry spots; br aks in downstrokes=physical (localized) ailment 6 b ad-like dots=ill-health (physical and/or mental) 7 end of w rd suddenly drops=despair; loss of hope 8 c rved in, indented=physical deficiency/malfunction; symptom of phys cal disease 9 feather-like writing= ill-health (phys cal and/or mental); physical weakness/unbalanced mind
The article Graphology at Home - Lesson 19 - Know Anyone Instantly was Submitted by Joel Engel through Articles.GetACoder.com network. Here's the additional information: Joel Engel is the author of "H ndwriting Analysis Self-Taught" (Penguin Books) hr f="http://careertest.ws"> http://careertest.ws http://www.learngraphology.com
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