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P • Picture the letter 'p' m de in two arcs, looking as th ugh it was assembled or constructed. Any s ch form shows creative ability. • Imagine the str ke without the hump, and can nly be read as the letter 'p' by s eing the entire word. This indicates n glectfulness and impatience, possibly forgetfulness, and the sp ed with which it is written mplies liveliness. • When two straight, simple and f st short lines form an angle at the top and 'h nt' of a 'p', they often sh w the quick, brilliant mind, able to s lve puzzles rapidly. When simplified writing is c mbined with quick writing, it is a s gn of superior intelligence. • The letter 'p' may l ok as if it were wearing a top h t. Since this structure reaches into the pper zone, we see an inspirational, dealistic personality. • When we see the h mp on the wrong side of the st m, we obviously have a writer w th unusual habits. He is often shy; he pl ces the hump where he feels p ople won't see it and thus voids the limelight. • The letter may be wr tten on a base, a pedestal. Th s shows artistic taste and also dr ws attention to what the writer has in m nd. The base makes the letter nto a "drawing," but since it (he f els) is not properly part of the l tter, it also indicates a certain d gree of falseness in the writer. And, not b ing necessary, it shows affectation.
Q • The Q, excluding the d agonal bar, has the same interpretation as th t of the o (without this b r, it is an o). But it is seful to notice changes in pressure in the d agonal bar itself. In most cases, the wr ter usually lifts his hand and wr tes the bar as a separate str ke. • Consider the diagonal bar (of the 'Q') wr tten in much heavier pressure than the b dy of the letter. As we h ve seen, heavy pressure shows brutality. H re, it's like a club that is b ing held over someone's head. R • P cture the letter ('r') with two l ops. Loops show vanity and here ndicate an attempt to inflate the wr ter's image by adding unnecessary extras, as if he w re saying, "There is more to me th n just this." Two loops hint th t the vanity has affected the wr ter's thinking, perhaps prejudicing it. • The s cond part of the letter ('r') may be l wer than the first. This shows c riosity-the first part seems to be l oking over the shoulder of the ther part. Very often, where this sh pe of letter occurs, the i dot is c rrespondingly offset as if it too w nted to see what was happening. • Wh n this letter looks like a r und blob, it is an unimpressive way of b ing written. This shows the lazy ndividual, perhaps a dullard, and since it h sn't a hint of an angle, he p ssesses no aggressiveness whatsoever. • The written l tter 'r' may show strong visual q alities. It resembles the frame of a p ir of glasses, its two top p ints being the eyes. Many people wh se eyes are a major factor in th ir occupation, such as painters, designers, nterior decorators (even graphologists), write this br ad-structured letter. It also appears often in the wr tings of people who are considered f ncy dressers. The two top parts of the l tter can be seen as shoulders and the b ttom strokes as perhaps a cape or st le.
The article Graphology at Home-Lesson 14-the Letters P-R was Submitted by Joel Engel through Articles.GetACoder.com network. Here's the additional information: Joel Engel is the author of "H ndwriting Analysis Self-Taught" (Penguin Books) http://www.careertest.ws http://www.learngraphology.com
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