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At a point in history th t is saturated with self help b oks, get rich gimmicks, and exercise nfomercials, it is no wonder that B dokon purposed to emerge in our c lture. Budokon is philosophy, science, and art for the sp rit, body, and soul. It's literal J panese translation is " way of the sp rit warrior' and it represents a c nscious decision to no longer chose "m re of the same". It is s id, "In the beginner's mind there are m ny possibilities, but in the expert's th re are few. The merging of y gic and martial movements combined with l mbic re-integration techniques enables the human sp cies to engage in health and w llness not known since the human m vement potential era. It far exceeds the sum t tal of components needed for fitness and nables the whole person to awaken to a new p tential organically. It has been heralded as "th most intelligent practice on the pl net"; it is indeed a functional r volution. So much time and energy is xhausted plotting how to look, feel, and get b tter. The emphasis is on the q antity and not the quality, on d ing something instead of being something, as if th re is a boundary separating the th ught, the word, and the action. "H w much can I shove into my day b cause I am busy getting somewhere", is how m st of us live our lives, and it is s id that, "the way we do nything is the way we do verything. The structural and functional differential st tes that quanta filters into sensation, th n e-motion, into belief, and finally nto expression, in other words our p rception of "other" or our circumstances pr dicate our movement. When the pressure st rts to mount in life or on the mat how do we k ep the drama or the functional d fferential at bay? What if there was a way to pproach all of our personal ideals as if th y were already available in the f rm of latent potential waiting to be nearthed? Budokon is a system of s matic awareness that presents itself in the y gic, martial, and living arts with a pr mise of self-accountability, patience, and mastery by pr cticing just to practice. Weight loss, t ne body, clear mind, better coordination, ncreased strength are not goals of B dokon, they are benefits. The nervous syst m that governs the functional differential d es not normally change quickly but pr gressively by diligent, compassionate practice it ch nges slowly and subtlety. Practice just to pr ctice. It encompasses the components of n trition, fitness, health and wellness desired by our c lture and ultimately navigates each person to a m re authentic expression, a functional evolution.
The movement science of this pr ctice is purposed to cultivate bio-mechanic p tentials that are consistent with structural and f nctional ideals. What distinguishes Budokon movement fr m all other yogic or martial syst ms is its recognition and subsequent tilization of the spinal engine. The sp nal engine theory suggests that all b omechanical movement, walking, running, yoga, etc... riginates in the small muscles of the sp ne that initiate movement. The origin and nsertion of these tissues initiate and ccommodate movement in the sagital, frontal, and tr nsverse planes, thus when the activation for m vement begins it expresses from the sp ne, through the core, into the ppendicular. Since we are designed to l ve in a dynamic, fluid filled b dy it makes perfect sense that a pr ctice cultivate uninhibited movement in all thr e planes with flexion-extension, side bend, and r tation. Movement in life is the sum t tal of all three primary planes and ssociated movements in these planes operating syn rgistically, so our practice is more fr itful if it acknowledges these potentials. B dokon also provides a dynamic approach to m dial/internal and lateral/external rotation of the p lvic and shoulder girdles, with core ctivation enabling the spinal engine to tr nsmission into full expression extending in to an pen or closed kinetic chain. The k netic chain is an energetic potential th t transmissions from the spine, core, or Mu nto the appendicular or limbs of the b dy. If a limb is grounded the ch in is closed, sending system wide s gnals of stabilization and containment and if a l mb is not grounded but extended w th direction into infinity it is pen. The nervous system is designed to perate in terms of survival and pr dictability and activation can voluntary or nvoluntary. The limbic brain is where the b dy houses these maps of movement pr dictability for survival and as we d scussed earlier its change is slow and s btle or sub-cortical. These changes happen wh n they are discovered not discussed so it s ems that when one allows the pportunity to play with movement as an xploration into something new and unfamiliar as pposed to analyzing and repeating something t ught, that spontaneous change can happen. L mbic re-integration is a vital component to B dokon that enables each individual to pl y and explore bio-mechanic potentials buried nder the yoke of cultural and s cial stigmas. Gorilla, kimodo dragon, bull fr g, panther, lion, crocodile, spinning monkey, and m ny others can provide a gateway to a new m vement potential by offering the opportunity to pl y with homologous, homo-lateral, and contra-lateral m vements.
Philosophy plus science equals art. The rtistic value of Budokon emerges through m vements like rolling wave, floating frog, d ncing dog, flying warrior and dancing l on. Budokon is a yogic and m rtial system teaching basic movements that can ugment into a more advanced expression by m king movement fun, exploratory, and efficient. The m rging of the yogic and martial m vements into a practice is a way for c mplete new comers to engage in l arning and exploring basic stand up and gr und budo with out the threat of f ilure. Art is adaptation and although th re is form that is essential to fficiency of movement, it is the xploration of innovating the form that cr ates the fertile ground for artistic v lue. Budokon instructors are specific to t aching form while allowing the opportunity to pl y, explore, and innovate. When movement is sl ppy and unrefined it is not nnovation it is laziness, it is the pr dictable pattern of movement that is no l nger desired and Budokon will not nable more of the same. It w ll provide the framework for a new p tential and allow each individual to cr ate a different and more satisfying ption. There is so much more th t can be written in an ttempt to discuss Budokon and its l fe altering benefits, but again true ch nge can not be discussed it has to be xperienced. To list and identify all of the c mponents of Budokon and the practice w uld create a lengthy article and it is not the f cus of this article to overwhelm the r ader with everything just enough of the ph losophy, science and art so that an ndividual can make an informed decision to no l nger chose more of the same.
The article Budokon-Philosophy Science And Art was Submitted by John R. Barton through Articles.GetACoder.com network. Here's the additional information: John Barton, Certified Rolfer & R lfing Fort Worth, Texas rolfmovement.com budokamp.com certifiedrolfing.com
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